Wuthering Heigts

t is 1801, and the narrator, Mr. Lockwood, relates how he has just returned from a visit to his new landlord, Mr. Heathcliff. Lockwood, a self-described misanthropist, is renting Thrushcross Grange in an effort to get away from society following a failure at love. He had fallen in love with a "real goddess" (6), but when she returned his affection he acted so coldly she "persuaded her mamma to decamp." He finds that relative to Heathcliff, however, he is extremely sociable. Heathcliff, "a dark skinned gypsy, in aspect, in dress and manners a gentleman" (5) treats his visitor with a minimum of friendliness, and Wuthering Heights, the farm where Heathcliff lives, is just as foreign and unfriendly. 'Wuthering' means stormy and windy in the local dialect. As Lockwood enters, he sees a name carved near the door: Hareton Earnshaw. Dangerous-looking dogs inhabit the bare and old-fashioned rooms, and threaten to attack Lockwood: when he calls for help Heathcliff implies that Lockwood had tried to steal something. The only other inhabitants of Wuthering Heights are an old servant named Joseph and a cook––neither of whom are much friendlier than Heathcliff. Despite his rudeness, Lockwood finds himself drawn to Heathcliff: he describes him as intelligent, proud and morose––an unlikely farmer. Heathcliff gives Lockwood some wine and invites him to come again. Although Lockwood suspects this invitation is insincere, he decides he will return because he is so intrigued by the landlord.

Analysis

This chapter introduces the reader to the frame of the story: Lockwood will gradually discover the events which led to Heathcliff ­––now about forty years old––living with only his servants at Wuthering Heights, almost completely separated from society. Here, Heathcliff is characterized by casual violence and lack of concern for manners or consideration for other people. This is only a hint of the atmosphere of the whole novel, in which violence is contrasted with more genteel and civilized ways of living.

Chapter 2

Summary

Annoyed by the housework being done in the Grange, Lockwood pays a second visit to Wuthering Heights, arriving there just as snow begins to fall. The weather is cold, the ground is frozen, and his reception matches the bleak unfriendliness of the moors. After yelling at the old servant Joseph to open the door, he is finally let in by a peasant-like young man. The bare kitchen is warm, and Lockwood assumes that the young and beautiful girl there is Mrs. Heathcliff. He tries to make conversation but she is consistently scornful and inhospitable, and he only embarrasses himself. There is "a kind of desperation" (11) in her eyes. She refuses to make him tea unless Heathcliff said he could have some. The young man and Heathcliff come in for tea. The young man behaves boorishly and seems to suspect Lockwood of making advances to the girl. Heathcliff demands tea "savagely" (12), and Lockwood decides he doesn't really like him. Trying to make conversation again, Lockwood gets into trouble first assuming that the girl is Heathcliff's wife, and then that she is married to the young man, who he supposes to be Heathcliff's son. He is rudely corrected, and it transpires that the girl is Heathcliff's daughter-in-law but her husband is dead, as is Heathcliff's wife. The young man is Hareton Earnshaw. It is snowing hard and Lockwood requests a guide so he can return home safely, but he is refused: Heathcliff considers it more important that Hareton take care of the horses. Joseph, who is evidently a religious fanatic, argues with the girl, who frightens him by pretending to be a witch. The old servant doesn't like her reading. Lockwood, left stranded and ignored by all, tries to take a lantern, but Joseph offensively accuses him of stealing it, and sets dogs on him. Lockwood is humiliated and Heathcliff and Hareton laugh. The cook, Zillah, takes him in and says he can spend the night.

Analysis

Brontë begins to develop the natural setting of the novel by describing snowstorms and the moors, and it becomes clear that the bleak and harsh nature of the Yorkshire hills is not merely a geographical accident. It mirrors the roughness of those who live there: Wuthering Heights is firmly planted in its location and could not exist anywhere else. Knowing Emily Brontë's passionate fondness for her homeland, we can expect the same bleakness which Lockwood finds so disagreeable to take on a wild beauty. Its danger cannot be forgotten, though: a stranger to those parts could easily lose his way and die of exposure. Heathcliff and the wind are similar in that they have no pity for weakness. The somewhat menacing presence of the natural world can also be seen in the large number of dogs who inhabit Wuthering Heights: they are not kept for pets.

The power dynamics that Lockwood observes in the household of Wuthering Heights are extremely important. The girl is evidently frightened of Heathcliff and scornful of Hareton; Hareton behaves aggressively because he is sensitive about his status; Heathcliff does not hesitate to use his superior physical strength and impressive personality to bully other members of his household. The different ways in which different characters try to assert themselves reveal a lot about their situation. Most notably, it is evident that in this house, sheer force usually wins out over intellectual and humane pretensions. The girl is subversive and intellectual, an unwilling occupant of the house, but she can achieve little in the way of freedom or respect.

Lockwood continues to lose face: his conversational grace appears ridiculous in this new setting. Talking to Heathcliff, for example, he refers to the girl as a "beneficent fairy," which is evidently neither true nor welcome flattery. This chapter might be seen, then, as a continuation of the strict division between social ideals (grace, pleasant social interactions, Lockwood) and natural realities (storms, frost, dogs, bluntness, cruelty, Hareton, Heathcliff). If the chapter was taken by itself, out of context, the reader would see that while social ideals are ridiculed, it is clear that the cruel natural world is ugly and hardly bearable. However, these depictions will change and develop as the novel continues.

Chapter 3

Summary

Zillah quietly shows Lockwood to a chamber which, she says, Heathcliff does not like to be occupied. She doesn't know why, having only lived there for a few years. Left alone, Lockwood notices the names "Catherine Earnshaw," "Catherine Linton," and "Catherine Heathcliff" scrawled over the window ledge. He leafs through some old books stacked there, and finds that the margins are covered in handwriting––evidently the child Catherine's

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