Era Del Barroco
Enviado por MiguelPonce • 7 de Abril de 2013 • 276 Palabras (2 Páginas) • 254 Visitas
The baroque era (1600-1750)
The term was probably derived from the Portuguese barroco, a pearl of irregular shape mush used in the jewelry of the time. A lot of ornamentation
Social aspects from the baroque era
• Europe’s wealth from the Americas continues to grow
• Imperial battles to dominate the world
• The middle classes acquired wealth and power in the struggle against the aristocracy
• Contradictions: appalling poverty and wasteful luxury; magnificent idealism and savage oppression
• An era of absolute monarchy
The light in pictures as in instance only, and the balance was lost
Baroque culture
• Baroque art: splendor, vigor, elaborated decoration and grandeur.
• The transition from classically minded renaissance to the baroque was foreshadowed by Michelangelo (1475-1564). His turbulent figures, their twisted bodies, reflect baroque love of the dramatic.
• Intensity religious
• Age of reason: Galileo y Copernicus (physics and astronomy); Descartes (mathematics); Spinoza (philosophy); Newton (theory of gravity).
Music in the baroque era
• The rise of the “virtuoso musician”. Great instrumental and vocal technique.
• Evolution of harmony and structure.
• Interest for homophony (texture where a single melody stands out)
• Basso continuo: musical accompaniment by two instrumentalists, usually cello and harpsichords. One played the bass line while the other played the harmonies (chords)
Baroque Musical Style:
• Vigorous rhythm
• Continuous melody
• Greater use of dissonance.
• Terraced dynamics (the shift from one dynamic level to the other).
• The Doctrine of the Affections: a piece or movement was built on a single affection, sometimes using the technique of text painting. This changed in the classical and romantic eras.
Antonio Vivaldi (1678-1741)
• Composer, virtuoso violinist, teacher and priest (“the red priest”)
• Composed around 770 works, including 447 concertos and 46 operas.
• Author of the four seasons, a group of violinist concertos (with string orchestra and basso continuo)
Concert means that there is a violin player or specific player v an orchestra.
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