Social TV success
Enviado por AJCM • 11 de Junio de 2013 • 442 Palabras (2 Páginas) • 280 Visitas
We are, at our core, a social people. We congregate
in groups, seek out others who have
similar, backgrounds, experiences, incomes
and educations. Suburbanites enjoy their suburban
experience. City dwellers, well, dwell
happily in cities.
Even our entertainment experiences tend
to be homogeneous. “Parks and Recreation”
fans seek out other P&R fans; “Family Guy”
aficionados cackle at Stewie’s latest line and
“Homeland” fans trade conspiracy theories
over coffee.
Is it any surprise that Social TV has been a
phenomenon? That what we used to do the
morning after a show aired, talk about it at the
water cooler, has gone high tech?
Just look at social media in general… it’s
hard to not check up on your friends through
their Facebook page (if they’re not already
tweeting their exploits). It’s a lucrative business.
In May, Facebook is expected to roll out
its IPO that could fetch more than $5 billion,
valuing the startup at more than $100 billion.
Social TV hasn’t reached that stage, yet; at
least no single entity has.
And it’s a phenomenon that’s at odds with
trends in the entertainment industry.
As Sam Vasisht, president of 21TechMedia,
points out: the success of Social TV, which
requires a viewer to watch a show along with
others at a given time, flies in the face of what
has been generally acknowledged as a broad
decay of appointment-based television viewing,
a decay that began with TiVo and accelerated
as viewers realized they could watch that
primetime show any time they felt like it. THEY
were in control, and control was good.
The near total flight from appointment-based
TV increasingly is due to services like Hulu and
Netflix and even broadcasters making more
content available to consumers to watch anywhere,
on any device and at anytime.
The over-the-top delivery of content, or TV
Everywhere, if you prefer, has made the idea
of watching a show when it’s scheduled to
appear as quaint as having to show an 8mm
home movie of your recent trip to Brazil.
But Social TV is making its mark on the way
we watch TV by creating a more interactive
viewing experience, and creating a space that
brings fans together again. Like the water
cooler gathering, it gives viewers a place to
share worries about characters, favorite jokes
and expected plot developments.
The space is seeing new user interface
designs that make, for example CBS’s early
push into the space pale. It’s using micropayment
systems, allowing viewers to
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