Arquetypes The Shadow

The Shadow!

The shadow archetype is depicted as a shadowy figure, often the same sex as dreamer but inferior; a zombie or walking dead; a dark shape; an unseen ‘Thing’; someone or something we feel uneasy about or in some measure repelled by or frightened of; drug addict; pervert; what is behind one in a dream; anything dark or threatening; sometimes a younger brother or sister; a junior colleague; a foreigner; a servant; a gypsy; a prostitute; a burglar; a sinister figure in the dark, a person or thing that we can see but not put a face or defined form to. Usually there is an air of disrepute about the person, or of danger. In literature we find the negative aspect of the shadow depicted in such stories as Dr Jekyll and Mr. Hyde; Frankenstein’s monster or Lurch; Wilde’s The Picture of Dorian Gray; Hesse’s Steppenwolf, and in many stories about werewolves or haunting. Ackroyd, in his Dictionary of Dream Symbols, even points to Cinderella as a shadow figure, as she is seen as inferior by her socially accepted sisters, and is kept shut in the house, thus repressed.

In occult literature the Shadow is called The Guardian of the Threshold. It is described as a great – subjective – figure we meet at a certain stage of growth. The Guardian holds in it all the negative deeds or repressed aspects of self committed or developed in the past, even in past lives, which must be met and transformed. See: guardian of the threshold.

The Shadow is any part of ourselves that we reject, and so do not allow sufficient expression in our life. We may so dislike aspects of our nature we fail to recognise them altogether and instead see them in other people and criticise them. Nations as well as individuals do this. The Nazis projected all problems onto the Jews. The Americans have not wished to see their own social sickness, and looked instead at the Russians. No doubt the Irish blame the English, and the English use the class system, with its projections between employee and employer. It is easier than looking at one’s own shadow. The foreigner is one of the favourite shadow projections. This may be because through living in our culture we develop certain likes and dislikes, certain value judgements and ways of doing things. In other cultures their normal and acceptable values and ways of living may be vastly different. In dealing with the foreigner we therefore meet our own unconscious potential for living in a different way. Many individuals who worked in the British Commonwealth in vastly different cultures to their own, started out loathing the native customs, and then changed their life to live within the new culture. In the English language it was called ‘going native’.

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