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Enviado por   •  23 de Marzo de 2013  •  37.507 Palabras (151 Páginas)  •  357 Visitas

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• Cuando EDIT, SAVE o TUNER está encendido, use “SELECT” para listar las páginas siguientes (Si no está encendido, “SELECT” escoge Channel Memories):

EDIT:

. Amp Settings

• A.I.R. Settings

• Compressor and Gate Settings

• EQ Settings

• Stomp Select and Settings

• Stomp Settings (page 2 for some models)

• Modulation Select and Settings

• Modulation Settings (page 2)

• Delay Select and Settings

• Delay Settings (page 2)

• Reverb Select and Settings

• Reverb Settings (page 2)

• Wah and Volume Settings

• Pedal, Effect Tweak and Tempo Settings

SAVE:

• Save Sound to Channel Memory

• Custom Save Amp Model

• MIDI Dump

TUNER:

• Tuner

• What are you connecting to?

• Display contrast

• MIDI/Variax

• PODXT Live Software Version

MODELOS DE EFECTOS

STOMPS MODELO BASADO EN*

FACIAL FUZZ .............................................ARBITER® FUZZ FACE

FUZZ PI ......................................................ELECTRO-HARMONIX® BIG MUFF PI®

SCREAMER ................................................IBANEZ® TS 808

CLASSIC DIST ............................................PROCO RAT

OCTAVE FUZZ ...........................................OCTAVIA

BLUE COMP ..............................................BOSS® CS-1

RED COMP..................................................MXR® DYNA COMP

VETTA COMP ............................................LINE 6® ORIGINAL

AUTO SWELL ............................................LINE 6® ORIGINAL

AUTO WAH................................................MUTRON III

MODULATIONS MODELO BASADO EN*

SINE CHORUS ...........................................LINE 6 ORIGINAL

ANALOG CHORUS...................................BOSS® CE-1 CHORUS

LINE 6 FLANGER ......................................LINE 6® ORIGINAL

JET FLANGER.............................................ADA FLANGER

PHASER......................................................MXR® PHASE 90

U-VIBE........................................................UNI VIBE

OPTO TREM...............................................FENDER® OPTO

BIAS TREM.................................................VOX® BIAS

ROTARY DRUM & HORN........................LESLIE® 145

ROTARY DRUM .......................................FENDER® VIBRATONE®

AUTO PAN.................................................LINE 6® ORIGINAL

DELAYS MODELO BASADO EN*

ANALOG DELAY.......................................BOSS® DM-2

ANALOG W/ MOD....................................ELECTR-HARMONIX® DELUXE MEMORYMAN

TUBE ECHO..............................................MAESTRO® EP-1 ECHOPLEX

MULTI-HEAD ...........................................ROLAND® SPACE ECHO

SWEEP ECHO ...........................................LINE 6® ORIGINAL

DIGITAL DELAY .......................................LINE 6® ORIGINAL

STEREO DELAY.........................................LINE 6® ORIGINAL

PING PONG ..............................................LINE 6® ORIGINAL

REVERSE ...................................................LINE 6® ORIGINAL

MODELOS DE AMPLIFICADOR

AMP MODEL MODELO BASADO EN*

0 ......BYPASS ...............................................(Bypasses the Amp Model)

1 ......TUBE PREAMP...................................TUBE INSTRUMENT PREAMP

2 ......LINE 6 CLEAN.....................................LINE 6® 21st CENTURY CLEAN

3 ......LINE 6 JTS-45.......................................LINE 6® ORIGINAL

4 ......LINE 6 CLASS A...................................LINE 6® ORIGINAL

5 ......LINE 6 MOOD .....................................LINE 6® ORIGINAL

6 ......SPINAL PUPPET ................................LINE 6® ORIGINAL

7 ......LINE 6 CHEM X ..................................LINE 6® CHEMICAL X

8 ......LINE 6 INSANE....................................WAY TOO MANY HOURS OF SHREDDING

9 ......LINE 6 ACO 2.......................................LINE 6® PIEZO ACOUSTIC 2

10 ....ZEN MASTER.......................................BUDDA TWINMASTER 2x12 Combo

11 ....SMALL TWEED ...................................‘53 FENDER® DELUXE REVERB®

12 ....TWEED B-MAN ...................................‘58 FENDER® BASSMAN®

13 ....TINY TWEED ......................................‘60 TWEED FENDER® CHAMP®

14 ....BLACKFACE LUX................................‘64 FENDER® DELUXE REVERB®

15 ....DOUBLE VERB....................................‘65 FENDER® BLACKFACE TWIN REVERB®

16 ....TWO-T0NE...........................................GRETSCH® 6156

17 ....HIWAY 100 .....................................,....HIWATT® CUSTOM 100

18 ....PLEXI 45.........................................,.....‘65 MARSHALL® JTM-45

19 ....PLEXI LEAD 100.............................,....‘68 MARSHALL ®‘PLEXI’ SUPER LEAD

20 ....PLEXI JUMP LEAD ......................,,.....JUMPERED MARSHALL® SUPER LEAD

21 ....PLEXI VARIAC.................,,………….....VARIAC’D MARSHALL® SUPER LEAD

22 ....BRIT J-800 .........................,,…………....MARSHALL® JCM 800

23 ....BRIT JM PRE.....................,,…………....MARSHALL® JMP-1 PREAMP

24 ....MATCH CHIEF..................,…………,....‘96 MATCHLESS® CHIEFTAIN

25 ....MATCH D-30.....................,,…………....MATCHLESS® DC-30

26 ....TREADPLATE DUAL........,,…………...2001 MESA/BOOGIE® DUAL RECTIFIER®

27 ....CALI CRUNCH.................,,………..,....‘85 MESA/BOOGIE® MARK IIC+

28 ....JAZZ CLEAN ...............................,,,.....‘87 ROLAND® JC-120

29 ....SOLO 100.....................................,,,.....SOLDANO

...

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