El Caracter De Leer
Enviado por rainbow1992 • 23 de Marzo de 2013 • 37.507 Palabras (151 Páginas) • 357 Visitas
• Cuando EDIT, SAVE o TUNER está encendido, use “SELECT” para listar las páginas siguientes (Si no está encendido, “SELECT” escoge Channel Memories):
EDIT:
. Amp Settings
• A.I.R. Settings
• Compressor and Gate Settings
• EQ Settings
• Stomp Select and Settings
• Stomp Settings (page 2 for some models)
• Modulation Select and Settings
• Modulation Settings (page 2)
• Delay Select and Settings
• Delay Settings (page 2)
• Reverb Select and Settings
• Reverb Settings (page 2)
• Wah and Volume Settings
• Pedal, Effect Tweak and Tempo Settings
SAVE:
• Save Sound to Channel Memory
• Custom Save Amp Model
• MIDI Dump
TUNER:
• Tuner
• What are you connecting to?
• Display contrast
• MIDI/Variax
• PODXT Live Software Version
MODELOS DE EFECTOS
STOMPS MODELO BASADO EN*
FACIAL FUZZ .............................................ARBITER® FUZZ FACE
FUZZ PI ......................................................ELECTRO-HARMONIX® BIG MUFF PI®
SCREAMER ................................................IBANEZ® TS 808
CLASSIC DIST ............................................PROCO RAT
OCTAVE FUZZ ...........................................OCTAVIA
BLUE COMP ..............................................BOSS® CS-1
RED COMP..................................................MXR® DYNA COMP
VETTA COMP ............................................LINE 6® ORIGINAL
AUTO SWELL ............................................LINE 6® ORIGINAL
AUTO WAH................................................MUTRON III
MODULATIONS MODELO BASADO EN*
SINE CHORUS ...........................................LINE 6 ORIGINAL
ANALOG CHORUS...................................BOSS® CE-1 CHORUS
LINE 6 FLANGER ......................................LINE 6® ORIGINAL
JET FLANGER.............................................ADA FLANGER
PHASER......................................................MXR® PHASE 90
U-VIBE........................................................UNI VIBE
OPTO TREM...............................................FENDER® OPTO
BIAS TREM.................................................VOX® BIAS
ROTARY DRUM & HORN........................LESLIE® 145
ROTARY DRUM .......................................FENDER® VIBRATONE®
AUTO PAN.................................................LINE 6® ORIGINAL
DELAYS MODELO BASADO EN*
ANALOG DELAY.......................................BOSS® DM-2
ANALOG W/ MOD....................................ELECTR-HARMONIX® DELUXE MEMORYMAN
TUBE ECHO..............................................MAESTRO® EP-1 ECHOPLEX
MULTI-HEAD ...........................................ROLAND® SPACE ECHO
SWEEP ECHO ...........................................LINE 6® ORIGINAL
DIGITAL DELAY .......................................LINE 6® ORIGINAL
STEREO DELAY.........................................LINE 6® ORIGINAL
PING PONG ..............................................LINE 6® ORIGINAL
REVERSE ...................................................LINE 6® ORIGINAL
MODELOS DE AMPLIFICADOR
AMP MODEL MODELO BASADO EN*
0 ......BYPASS ...............................................(Bypasses the Amp Model)
1 ......TUBE PREAMP...................................TUBE INSTRUMENT PREAMP
2 ......LINE 6 CLEAN.....................................LINE 6® 21st CENTURY CLEAN
3 ......LINE 6 JTS-45.......................................LINE 6® ORIGINAL
4 ......LINE 6 CLASS A...................................LINE 6® ORIGINAL
5 ......LINE 6 MOOD .....................................LINE 6® ORIGINAL
6 ......SPINAL PUPPET ................................LINE 6® ORIGINAL
7 ......LINE 6 CHEM X ..................................LINE 6® CHEMICAL X
8 ......LINE 6 INSANE....................................WAY TOO MANY HOURS OF SHREDDING
9 ......LINE 6 ACO 2.......................................LINE 6® PIEZO ACOUSTIC 2
10 ....ZEN MASTER.......................................BUDDA TWINMASTER 2x12 Combo
11 ....SMALL TWEED ...................................‘53 FENDER® DELUXE REVERB®
12 ....TWEED B-MAN ...................................‘58 FENDER® BASSMAN®
13 ....TINY TWEED ......................................‘60 TWEED FENDER® CHAMP®
14 ....BLACKFACE LUX................................‘64 FENDER® DELUXE REVERB®
15 ....DOUBLE VERB....................................‘65 FENDER® BLACKFACE TWIN REVERB®
16 ....TWO-T0NE...........................................GRETSCH® 6156
17 ....HIWAY 100 .....................................,....HIWATT® CUSTOM 100
18 ....PLEXI 45.........................................,.....‘65 MARSHALL® JTM-45
19 ....PLEXI LEAD 100.............................,....‘68 MARSHALL ®‘PLEXI’ SUPER LEAD
20 ....PLEXI JUMP LEAD ......................,,.....JUMPERED MARSHALL® SUPER LEAD
21 ....PLEXI VARIAC.................,,………….....VARIAC’D MARSHALL® SUPER LEAD
22 ....BRIT J-800 .........................,,…………....MARSHALL® JCM 800
23 ....BRIT JM PRE.....................,,…………....MARSHALL® JMP-1 PREAMP
24 ....MATCH CHIEF..................,…………,....‘96 MATCHLESS® CHIEFTAIN
25 ....MATCH D-30.....................,,…………....MATCHLESS® DC-30
26 ....TREADPLATE DUAL........,,…………...2001 MESA/BOOGIE® DUAL RECTIFIER®
27 ....CALI CRUNCH.................,,………..,....‘85 MESA/BOOGIE® MARK IIC+
28 ....JAZZ CLEAN ...............................,,,.....‘87 ROLAND® JC-120
29 ....SOLO 100.....................................,,,.....SOLDANO
...